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Understanding 9/11Stu Allen and Mars Hotel Live at Ashkenaz Music and Dance Community Center on 2013-11-27
Audio With External Links Item Preview
Set 1
01- Touch of Grey >
02- CC Rider >
03- It takes a lot to laugh it takes a train to Cry
04- Mama Tried >
05- Mexicali Blues
06- Ramble on Rose
07- The Music Never Stopped >
08- Sugaree >
09- The Music Never Stopped
Disc 2 - 59:07
Set 2
01- Tuning
02- Shakedown Street
03- Truckin' >
04- He's Gone >
05- Playing in the Band >
06- Matilda
Disc 3 - 54:21
Set 2 con't
01- All Along the Watchtower >
02- Comes A Time >
03- Throwing Stones >
04- Around n' Around
Encore
05- Band Intro's
06- Black Muddy River >
07- Playing in the Band Reprise
Related Music question-dark
| Song Title | Versions | Compilations | Covers |
|---|---|---|---|
| Touch of Grey > |
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| CC Rider > |
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| It takes a lot to laugh it takes a train to Cry |
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| Mama Tried > |
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| Mexicali Blues |
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| Ramble on Rose |
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| The Music Never Stopped > |
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| Sugaree > |
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| The Music Never Stopped |
|
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| Tuning |
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| Shakedown Street |
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| Truckin' > |
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| He's Gone > |
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| Playing in the Band > |
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| Matilda |
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| All Along the Watchtower > |
|
|
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| Comes A Time > |
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| Throwing Stones > |
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|
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| Around n' Around |
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| Band Intro's |
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| Black Muddy River > |
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| Playing in the Band Reprise |
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|
Notes
Stu Allen - Guitar, vox
John Stewart - Guitar, vox
Dan Eisenberg - Keys,
Sean Nelson - Drums
Robin Sylvester - bass
Multi-Track Recording
Peluso P-Stereo (ch 1 & 2) + Neumann 140's (ch 3 & 4) + Sound Board(Ch 5 & 6) + Bass DI (ch 7) + keys DI (ch 8) > Sound Devices 788T (24/96) +
Senn 906 on Stu's guitar cab (ch 1) + Senn 906 on John's guitar cab (ch 2) > Sound Devices 744T (24/96). Decks linked by CL1 cable
Peluso P-Stereo Microphone set in X/Y Stage center with Neumann 140's spread 4 feet each side.
Hard drive transfer > adobe audition (mixing to 2 track) > sound forge 9.0 (trims, fades, dither, bit conversion) > cd wave editor (tracking) > traders little helper (align on sector boundaries, flac)
FOH - Shaun Wilson
Recorded, Mixed, mastered, and uploaded by Jon Hart
